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She has been called her mother's 'mini-me' but now the daughter of Amy Adams is drawing comparisons to another major A-lister.  

After walking the red carpet at the premiere of Cape Fear earlier this summer with her famous mom, fans couldn't help but notice that Aviana Olea Le Gallo bore a striking resemblance to Scarlett Johansson. 

'Still trying to process why Amy Adams’ daughter looks so much like Scarlett Johansson,' the person who first noticed the similarities tweeted.

Numerous commenters agreed. 

'The resemblance is actually WILD,' one person said. 'Like, Scarlett Johansson’s twin energy!'

'Multiverse is leaking for sure,' another said. 'That's literally a mini Scarlett Johansson with Amy Adams' hair.'

One was initially fooled into believing she was Johansson: 'I did think she was Scarlett,' they wrote.

Aviana is Adams's and only child with husband Darren Le Gallo and the couple have made an effort to shield her from the public eye for most of her childhood.

The youngster is now considering pursuing a career in Hollywood much like her mother.

'I think we'll see what she's up for,' Adams recently told People.

'I know she's interested in production as a whole, so we'll see what avenue she decides to focus on.'

Over the last few months, Aviana has begun joining her mother at high-profile events, with her first appearance being in March at Lacoste's show during Paris Fashion Week.

هلی بری تنها زن سیاهپوست هالیوود است که موفق به دریافت جایزه اسکار بهترین هنر پیشه زن نقش اول شده است .

او در ژانرهای گوناگون نقش آفرینی کرده ، از فیلم های اکشن گرفته تا درام .

۱۴ اوت ۲۰۲۶ مصادف است با تولد ۶۰ سالگی او .

Every Christopher Nolan film ranked from worst to best 

Oppenheimer (2023)

Only Nolan could attract millions to the multiplex for a three-hour, oft-monochromatic character study about the man who invented the atomic bomb. Of course, the whole Barbenheimer phenomenon undoubtedly helped put more bums on seats. But even without Margot Robbie’s cheerful pink counterpart, Oppenheimer would still have pulled in the numbers. Drawing on career-best turns from Nolan regular Cillian Murphy as the titular physicist and Robert Downey Jr as his bureaucratic friend-turned-foe Lewis Strauss, Nolan takes what on paper could be dry subject matter and transforms it into a dazzling, yet still thought-provoking, piece of cinema. His first Oscar wins for Best Picture and Best Director were undeniably deserved. (Stream on iPlayer. Rent on YouTube, Google Play, Apple TV, Sky Store or Prime Video). (Photo: Universal Pictures/AP)

Every Christopher Nolan film ranked from worst to best

The Dark Knight (2008)

This was the comic-book movie to end all comic-book movies. After revolutionising the genre with Batman Begins, Nolan mastered it with a transcendent sequel rooted in the very real fears of a post-9/11 world. Heath Ledger – who tragically died just months before its release – deservedly garnered the most attention for his mesmerising, posthumous-Oscar-winning turn as the Joker, a force-of-nature villain with the most terrifying motive of all (“Some men just want to watch the world burn”). But The Dark Knight has more to offer than its paint-smeared anarchist, from the stunning IMAX-shot cityscapes to the dynamic bank robbery that evokes the classic crime noirs of the 70s. (Stream on Prime Video, Netflix or Now. Rent on YouTube, Google Play, Apple TV or Sky Store). (Photo: Warner Bros)

Every Christopher Nolan film ranked from worst to best 

The Prestige (2006)

The Prestige seems to be regarded as one of Nolan’s lesser films, perhaps because, like its two warring illusionists, it simply wants to put on a show. Indeed, despite portraying the real-life father of electricity Nikola Tesla (a magnetic David Bowie), this Victorian London, steampunk-indebted caper largely saws all logic and reason in half, utilising everything from secret identical twins to teleportation machines to pull the rug from under its audience’s feet. Bale and Hugh Jackman are also pitch perfect as the longtime rivals whose battle of one-upmanship comes at a repeatedly deadly cost. It’s Nolan at his sleight-of-hand best. (Stream on HBO Max, Now or Prime Video. Rent on YouTube, Google Play, Apple TV or Sky Store). (Photo: Warner Bros)

Every Christopher Nolan film ranked from worst to best 

Memento (2000)

Existential murder-mystery Memento instantly cemented Nolan as one of his generation’s most innovative storytellers, adopting an audacious use of colour and shifting timelines which curiously tied up all the many loose ends in reverse. Guy Pearce, no longer “Mike from Neighbours”, matches the intensity of the script as an amnesiac who relies on Polaroids and body tattoos to retain the invaluable information he hopes will lead him to his wife’s killer. Also one of the first films to harness the power of the internet – audiences could seek out further clues on its official site – this cinematic puzzle box is often disorienting but always thrilling. (Stream on Prime Video. Rent on Apple TV, YouTube, Google Play or Sky Store). (Photo: Twentieth Century Fox)

Every Christopher Nolan film ranked from worst to best

Interstellar (2014)

Influenced by what Nolan described as the “key touchstones” of science-fiction (most blatantly, hero Stanley Kubrick’s 2001: A Space Odyssey), Interstellar boasts some truly breathtaking cosmic visuals and, thanks to input from real-life astrophysicist Kip Thorne, a keen understanding of everything from time dilation to supermassive black holes. But in a rarity for the stiff upper lip Brit, he seems equally interested in exploring human emotion. None more so than in the scene where Matthew McConaughey’s space traveller – on a mission to find a replacement habitat for a dust-ravaged Earth – tearfully watches decade-spanning family footage from back home. Who knew that Nolan does indeed have a heart? (Stream on HBO Max or Now. Rent on YouTube, Google Play, Apple TV or Sky Store). (Photo: Warner Bros)

Every Christopher Nolan film ranked from worst to best .

The Dark Knight Rises (2012)

Having set the superhero gold standard with his previous venture into Gotham, The Dark Knight (see below), Nolan set himself a near-insurmountable task with its follow-up. The Dark Knight Rises, which brings Christian Bale’s brooding Batman out of an eight-year self-imposed exile to save the day again, is a perfectly solid trilogy closer containing all the comic-book bells and whistles you’d expect. But although Tom Hardy’s masked man Bane makes for a physically imposing – if indecipherable – villain, he’s no Joker. And while Nolan has since dismissed accusations of pro-capitalist propaganda, its anti-Occupy Wall Street messaging suggests otherwise. It might be the highest-grossing film in the franchise (and his career), but it’s the least essential. (Stream on Prime Video, Netflix or Now. Rent on YouTube, Google Play, Apple TV or Sky Store). (Photo: Warner Bros/AP)

Every Christopher Nolan film ranked from worst to best 

Following (1998)

It almost seems churlish to compare Nolan’s directorial debut – a no-budget 70-minute affair shot at weekends with the help of family and friends – to the cash-splashing, A-list blockbusters that have attracted so many fanboys (Nolan, pictured in 2019). The filmmaker, who also served as writer, editor, producer and photographer, couldn’t even afford professional lighting. The story of a voyeuristic novelist (known simply as The Young Man) who, while searching for inspiration, becomes embroiled in London’s criminal underbelly, Following inevitably lacks Nolan’s usual shine. Still, with its neo-noir visual style, non-linear structure and twists and turns that practically demanded a rewatch, it resourcefully hinted at the greatness to come. (Stream on Prime Video. Rent on Apple TV, YouTube, Google Play or Sky Store). (Photo: Getty)

Every Christopher Nolan film ranked from worst to best 

Tenet (2020)

Positioned as the saviour of Hollywood in the summer of 2020, Tenet was the first tentpole release to hit cinemas once the early lockdown restrictions were lifted. But many of those who flocked to its socially distant screenings were left wishing they’d stayed at home baking sourdough instead. Leaning into his worst impulses – metaphysical mumbo-jumbo, wafer-thin characterisation, painfully humourless dialogue – Nolan’s attempt to put a time-inverting spin on James Bond was an impenetrable slog that suggested he’d been blinded by his own hype. Tenet sure looks cool, but it’s all style and no substance. (Stream on HBO Max, Prime Video or Netflix. Rent on Google Play, Apple TV or Sky Store). (Photo: Warner Bros)